Explain the ways in which a subgenre of jazz (e.g. swing, bebop) was a Essay

Explain the ship canal in which a subgenre of jazz (e.g. swing, be bang) was a rejection or a continuation of the styles that preceded i - Essay exampleThis paper would attempt to answer this question by taking into consideration the historical evolution of big(a) bop and shrivel in relation to the overall history of jazz, as well as into the item heathen context where these styles developed. In this case, this paper would first flavor into the different historical, social and cultural contexts in the development of terrible bop, which was an earlier development than funk (Wynn 1994). In this function of the paper, the researcher would try to seek into the different practice of medicineal styles that hard bop adopted, and would describe the ways on how this style rejected or continued earlier styles. The next bankrupt of the paper would then assume the historical, social and cultural contexts in relation with the development of funk, which appeared in the early 1970s (al lmusic.com n.d.). In this part of the paper, the researcher would try to look into the different musical influences and inspirations that led top the development of this jazz style, and would likewise describe the ways on how this style rejected or continued earlier styles. The next part of the paper would then tackle the historical, social and cultural contexts in relation with the development of funk, which appeared in the early 1970s (allmusic.com n.d.). In this part of the paper, the researcher would try to look into the different musical influences and inspirations that led top the development of this jazz style, and would likewise describe the ways on how this style rejected or continued earlier styles. The last part of the paper would then formulate a conclusion on whether both hard bop and funk represented a major break in style, or was it merely a continuation, given the cultural and historical development of jazz music in that specific period. The Development of Hard Bop iodine of the main styles of jazz played in the early half of the 20th century was hard bop. harmonize to Gridley (Wynn 1994, p. 11-12), the term hard bop was genuinely first used in the early 1950s. Before the development of hard bop, in the early 1940s, the close to fashionable style of jazz that was played was bebop, also know as bop music (Berendt 1981). Simply put, bebop was known as the type of jazz that actually strived to make it more of an artful music, especially by fusing into jazz new types of chromatics and dissonance (Berendt 1981). In this case, many jazz historians actually claim that hard bop was partially inspired by bebop, or is actually an extension of it, due to the fact that this style also incorporated the dissonance styles of bop music, and that hard bop also tried to make jazz more as an artful music, rather than a popular jazz music as it was in the earlier part of the twentieth century (Wynn, 1994). However, despite these influences, hard bop also ha d its own characterizations. In the development of its unique style, hard bop incorporated several(prenominal) musical influences, which included rhythm and blue, and even gospel music (Wynn, 1994). In this case, some of the elements of rhythm and blues and gospel music were actually incorporated into jazz music, which was intrinsic at that time (Rosenthal 1992). According to Rosenthal (1992), in the early 1940s, rhythm and blues, along with bop, were actually two of the most dominant forces in black music. In this case, Rosenthal further argues that jazz musicians who were to develop the unique style of hard bop also grew up in a time when rhythm and blues, as well as bop music, were popular in this case, it is natural for them to integrate these styles into the development of hard bop. In the years preceding the development of hard bop, one of the most popular musicians at that time was Tadd Dameron, and he was actually known to have worked with both bop music and rhythm and blu es this historical and